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As had already happened in 2001, the typographical material of the
word “Trazom”, Mozart spelled backwards, provided the initial idea.
The interplay of letters and punctuation marks made it possible
to take various aspects into account in terms of form and subject
matter. Accumulation, inversion, combination and variations on the
bracket modules (alone and in combination with the letter logos)
take up and work with both the ornamentally playful element as
well as the rigidity, serially structured form of BAROCK as a basic
theme.
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The letter were shaken like dice, shut in and out by the
brackets, separated, pushed away or regrouped. Anagrams of the
six letters appeared and opened up new links in terms of content.
The rhythm of the timetable for the nearby trams, as a pulsating
link with the whole city, was co–ordinated with the animations
time loop.
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